The exhibition revolves around the video Entremanos, and another two video-works: No es más que un pequeño agujero en mi pecho and Blind Spot.
Entremanos reflects upon knots, the threads interconnecting us and the imbrication of thinking with our body. It also represents an approach to topology and a reminder of the “knot games” practised by all so-called primitive peoples, of which the children’s game Cat’s Cradle is just one significant example. It also acknowledges and questions the Ariadne’s Thread that has connected women and threads since time immemorial.